Game On: In quest for perfect role-playing game
A review of the 'Dragon Age: The Veilguard'
Hyderabad: Ten years on, after the incredible failures of ‘Anthem’ and ‘Mass Effect: Andromeda’, Bioware returns with ‘Dragon Age: The Veilguard’ to offer a successor to 2014’s game of the year ‘Dragon Age: Inquisition’.
However, a lot has changed in the interim – as Bioware fights for relevance in today’s gaming landscape – ‘Veilguard’ combats both extremely high expectations and an anti-woke anti-DEI movement in the global gaming community.
Despite enjoying the most successful launch for an EA game and a higher number of players at launch than ‘Call of Duty’, ‘Veilguard’ has been review bombed on platforms like Metacritic, Google Reviews, and YouTube for offering players the opportunity to play as transgender and non-binary characters if they wish to.
If game worlds are to be representative of the societies in which they are made and played, then I see nothing wrong with The Veilguard’s approach to gender and sexuality. If one were to factor in how Bioware has always championed LGBTQ rights, then what ‘The Veilguard’ offers is the logical next step. It offers players the widest spectrum for gender inclusivity possible.
Now onto the review. ‘The Veilguard’ picks up where the ‘Inquisition’ ended as Varric and Scout Harding recruit a character called the Rook (you) to help them stop the eleven mage Solas from opening the rift and letting demons loose in the world. As you encounter the first member of your team Neve and begin the journey to stop Solas, you inadvertently set the world on fire. The rest of the journey is about exploring cities, finding allies, and in classic Bioware fashion finding the best possible team to stop two Elven gods from destroying everything.
The gameplay and the classic conversation wheel have received a modern overhaul as the game forces you to think on your feet for both of them. The game encourages you to find combos and triggers to unleash heavy damage while, at the same time, master the art of staying alive when the abilities cooldown.
In terms of individual characters and their narrative arcs – Bioware has found a great mix of journeys as recruiting most of them is just as fun as getting to know them in detail.
In terms of visuals, the world in Veilguard is extremely colourful and the hues of green and blue that the game uses are successful in projecting an otherworldly effect. The music by Hans Zimmer and Lorne Balfe enhances the world and its events brilliantly.
However, despite Veilguard’s many strengths, the game lacks a bit of polish and the writing is inconsistent quality wise. Thus, you will be left disappointed when you think Rook is set to deliver a stinging line or crack a joke.
All in all, an amazingly cohesive experience that rekindles Bioware’s magic.
