Tom Cruise opens up on the intense makeup and prosthetics process for Digger

Tom Cruise has detailed the extensive prosthetics, makeup, and physical preparation behind his role as oil baron Digger Rockwell in Alejandro G. Iñárritu's upcoming film, emphasizing how every detail—from false teeth to cowboy boots—shapes the story

Mumbai: Hollywood superstar Tom Cruise, who is gearing up for the release of his upcoming film ‘Digger’, has spoken up on the long-drawn process of prosthetics and make-up for his part in the film.

The actor reflected on the creative process behind his transformation into the titular character of Digger Rockwell, an oil baron. From false teeth and a Southern accent to cowboy boots, costumes, and body language, the actor revealed that every detail of the character’s appearance and physicality was carefully considered in service of the story.

---

Speaking about the process of building Digger Rockwell and the role that makeup, costume, and physicality played in bringing the character to life, Tom Cruise said, “My process is, I’m absorbing, I’m absorbing, I’m absorbing. With the body, we’re communicating a story. I want people to be immersed in a story”.

He also shared details about the elements that helped shape his character, as he shared, “The color of the cowboy boots. What are my shorts like? The sets, the color of the sets. They’re beautiful on every single level… You look at the taste of this man. It’s very special”.

The actor also revealed that Digger’s false teeth became a key part of unlocking the character’s voice and personality, saying, “I put the teeth on, and it’s like, ‘Let’s f***in’ go’”.

He also spoke about finding the rhythm, and how sets his eyes on the musicality of the character.

He further mentioned, “If you start to feel the musicality of the character, it has a rhythm, and it’s not a rhythm like anything else. So the behavior of a character, the movement of a character, these are things that we’re looking at on the makeup side. As you’re developing, you’ve got to go, ‘Is this our tone? Is it a drama? Is it a comedy? Is it too much?’ You’re dialing it in”.

He went on, “When we’re looking for characters, we’re looking for humor, drama, certain constructs, how do we communicate this? Whether it’s Les Grossman or Interview With the Vampire, Collateral, or Risky Business, I’m always asking, ‘How do I communicate this?’ The physicality, the makeup, that is stuff that you find as you are learning how to communicate. You really have to understand the tools, it’s not one-size-fits-all. You have to find the communication, the lenses, the color of the makeup”.

He credited director Alejandro G. Inarritu for helping shape the performance, as he said, “Alejandro understands music, and that’s the universal language that we’re all finding. I think further, ‘How do I prepare so that we have time to discover that rhythm?’ Everything that I’m doing in terms of training or language or dance, I’m going, ‘How do I prepare for these moments?’ So I’m thinking about having that ability to be able to play a character like this”.

“It’s a lifelong journey of learning and learning and learning”, he added.