Divyang Thakkar has not seen Mirch Masala. That is the major problem. If he had, he would have understood the nuances of women empowerment and would have kept away from this dramatic big house cinema against female foeticide. Any semblance to sanity in two hours of this entertainment-with message drama is a piece of coincidence. […]
LGBTQ issues have found either ridicule or summary rejection in the social milieu. Not surprisingly, our cinema too has been a reflection of the same. Recent times, however, are a tad different and there are heterodox views coming out in the open. Kudos to Harshvardhan Kulkarni for pushing the envelope. After Badhaai Ho, it is […]